Even with regard to post-production audio services, we have grown in experience and technology in pursuit of one goal: total satisfaction of the customer.
At the beginning of the 90’s, Studio Emme came to an agreement with the majors Warner Bros and Universal for the recovery and transfer on Dat and Da88 of Italian dubbing of their TV series.
We were among the first in Italy to acquire Dolby-E and dubbing rooms in HD; then we upgraded the tools with Protools and we equipped ourselves with a Mixer Icon, currently the highest standard of available technology.
We became one of the few laboratories in the world to dub and mix for George Lucas, not for the power of our technology but thanks to our passion and reliability.
A very high standard of service that is daily provided in each project and to each of our customers.
•10 Protools Workstations
•DOLBY DP600 per LOUDNESS e DOLBY E
• 2 Betacam SP
• 3 Betacam IMX
• 1 Inch Machine
• MTI for Video Restoration
• Back up on LTO
• 10 Workstations for files Servicing
• 5 Editing rooms HD/SD
• 5 HDCAM SR
• 1 HD D5
• 15 Digital Betacam
During the video post-production we can say that we have seen all the colors of the world.
At the time of the tapes 3/4 Umatic., when it was on air with 24 copies simultaneously, Studio Emme used to combine and synchronize the 16mm, both film and magnetic, for Retequattro, ReteItalia, Telemontecarlo.
Later on, during the period of inches and full-frame, we equipped ourselves with video-recorders 3/4 and of an inch and we were among the first to have the digital Betacam. Advanced technologies, for those times.
Since 1998 we support SKY for the transition to 16:9. In 2000 Rai passed to the standard Betacam IMX and we followed that technical choice.
A continuously increase of experiences, methods and tools up to these days, characterized by the advent of high definition: in 2008 we were the first laboratory to have HDCAMSR to supply SKY with HD movies and in 2010 we assisted RTI in the HD start-up.